June 19 through September 11, 2005:
Anasazi Hands by Diane G. Orr
To help her understand the meaning of these images, Orr has enlisted the help of Larry Cesspooch, an Ute spiritual story teller, who believes in the enduring importance of rock art communication. Together Orr and Cesspooch created a video documenting the pictographs and petroglyphs in Nine Mile Canyon, an ancient thoroughfare connecting Northern Utah with the Green and Colorado Rivers that is being impacted by natural gas exploration and development. This project led her to photographing other rock art sites in the West with her 360-degree panoramic camera, allowing the viewer to see the pictographs up close as well as the entire landscape which surrounds them.
From what she has learned from Cesspooch and others, Orr concludes: Rock art recorded historic events, served ceremonial purposes, marked thoroughfares and territorial claims, functioned as calendars and seasonal markers and, no doubt, had other unrecognized purposes. We may never unravel the deepest meanings of these mysterious and beautiful communications from the past, but hopefully we can and will preserve these extraordinary links to our shared landscape and history.
Visionscapes: Vanishing Rock Art Sites of the West opened on June 19 and continued through September 11.
Navajo Horse Panel by Diane G. Orr