Jim Farnum was born in Columbus, Ohio in 1950 and moved as an infant to Southern California. An early interest in both wildlife study and art led him to pursue his two loves as he got older. In high school Farnum began what would become a lifelong pursuit, the drawing and painting of wildlife. His paintings of wildlife hang in many private and corporate collections.
He attended the University
of California at Berkeley in the School of Forestry with a Wildlife
Management major. While at Berkeley, Farnum was enlisted to illustrate
many journals and magazines of popular culture. During his years in the
Bay Area, Farnum combined his practice of marital arts with fine art
and painted a number of large wall murals with martial art themes in
Chinese restaurants in Oakland, a few of which survive today. After a
many years hiatus from the art world, Farnum was re-invigorated to
paint and draw when he was invited to join a group of artists that draw
the human figure in Seyburn Zorthians Santa Ynez valley
studio. While there, he became fascinated with the style and medium of
local well-known pastelist, Patricia Hedrick. A Santa Barbara artist,
Fran Scorzelli, introduced Farnum to the work of New York pastel and
oil artist, Wolf Kahn, and Farnum was immediately taken by
Kahns use of unusual color schemes in landscape painting. He
continues to develop a style that suits him, switching from fauvist to
representational landscapes in the search for that style.
Farnums four solo exhibits at the Chancellor Galley in Santa Barbara, and the ArtBrut Gallery in Los Alamos have been favorably reviewed in the Santa Barbara press and his attendance in group shows continues to grow. Santa Barbara News Press art critic Benoit Lebourgeois remarked Farnums pastels reflect a personal vision articulated around a desire to escape back, or toward a world of landscapes dominated by striking colors and ambient space., and further The oddly juxtaposed primary colors remain, but now fully in control, they overload our sensations. Finally, Lebourgeois notes, Modern arts essential paradigm-that we invest ourselves into the piece and allow raw emotions to surface-realized its potential in these pastels. In 2005 he joined the Santa Barbara Studio Artists and currently works and shows from his 100 year old barn, recently converted to a studio. His work has been widely collected by both corporate and individual patrons.